American Sphinx: The Character of Thomas Jefferson
For the historian Joseph J. Ellis, the experience of writing about Jefferson was "as if a pathologist, just about to begin an autopsy, has discovered that the body on the operating table was still breathing." In American Sphinx, Ellis sifts the facts shrewdly from the legends and the rumors, treading a path between vilification and hero worship in order to formulate a plausible portrait of the man who still today "hover[s] over the political scene like one of those dirigibles cruising above a crowded football stadium, flashing words of inspiration to both teams." For, at the grass roots, Jefferson is no longer liberal or conservative, agrarian or industrialist, pro- or anti-slavery, privileged or populist. He is all things to all people. His own obliviousness to incompatible convictions within himself (which left him deaf to most forms of irony) has leaked out into the world at large--a world determined to idolize him despite his foibles.
From Ellis we learn that Jefferson sang incessantly under his breath; that he delivered only two public speeches in eight years as president, while spending ten hours a day at his writing desk; that sometimes his political sensibilities collided with his domestic agenda, as when he ordered an expensive piano from London during a boycott (and pledged to "keep it in storage"). We see him relishing such projects as the nailery at Monticello that allowed him to interact with his slaves more palatably, as pseudo-employer to pseudo-employees. We grow convinced that he preferred to meet his lovers in the rarefied region of his mind rather than in the actual bedchamber. We watch him exhibiting both great depth and great shallowness, combining massive learning with extraordinary naïveté, piercing insights with self-deception on the grandest scale. We understand why we should neither beatify him nor consign him to the rubbish heap of history, though we are by no means required to stop loving him. He is Thomas Jefferson, after all--our very own sphinx.
|Grouped Work ID||57c8f560-7c72-b366-efcf-8cf205fac982|
|Grouping Title||american sphinx the character of thomas jefferson|
|Grouping Author||joseph j ellis|
|Grouping Language||English (eng)|
|Last Grouping Update||2021-10-20 04:40:39AM|
|Last Indexed||2021-10-20 05:04:29AM|
|Novelist Primary ISBN||9780679444909|
|author||Joseph J. Ellis|
|author_display||Joseph J. Ellis|
|detailed_location_addison||Online OverDrive Collection|
For a man who insisted that life on the public stage was not what he had in mind, Thomas Jefferson certainly spent a great deal of time in the spotlight, even in his retirement. In his twilight years, Jefferson was already taking on the luster of a national icon, which was polished off by his auspicious death on July 4, 1826. In American Sphinx, Ellis sifts the facts from the legend to find the heart of the man who, at the grass roots, is no longer liberal or conservative, agrarian or industrialist, pro- or anti-slavery, privileged or populist. A man who sang incessantly under his breath; who spent ten hours a day during his presidency at his writing desk; and who sometimes found his political sensibilities colliding with his domestic agenda; who exhibited great depth and great shallowness, combined massive learning with extraordinary naïveté, and should neither be beatified nor forgotten.
|owning_library_addison||Addison Public Library Online|
|owning_location_addison||Online OverDrive Collection|
|title_display||American Sphinx The Character of Thomas Jefferson|
|title_full||American Sphinx The Character of Thomas Jefferson|
|title_sub||The Character of Thomas Jefferson|
|topic_facet||Biography & Autobiography|